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The Smiths wanted one large room that encompassed their kitchen as well as their
family room. “A lot of people advised us against [one large room with a kitchen and family
room],” says Dorothy. “But we wanted a big family space, one large room where everyone could be
comfortable and hang out together. And we wanted a space where people could sit
with us while we cook.”
The plan to put the Smiths’ vision in motion was to remove the existing sunroom on the back of the home. “The utility room on the back had lots of light but was not nearly large enough
to accommodate a kitchen and living space, so the first thought was to rip it
off and add the space we needed,” Pursley says. “[The room] was conceived as a garden room. I was trying to create a
light-filled, porch-like space, that happens to hold the kitchen and family
room. The house has traditional lines, but many of the Smiths’ furnishings are modern.” So Pursley scripted a story, he says, of a large rear porch that’s filled with French doors yet is furnished with modern accessories.
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Having come from a previous residence that was full of color, says Dorothy, “I wanted an airy, light color palette that suited the beautiful light of the
house and its tall ceilings.” Designer Teri Thomas of Teri Thomas Interiors assisted the Smiths in choosing
modern and transitional decor, which meshes well with the home’s traditional bones and framework, as shown in the living room.
BELOW: A large early-nineteenth-century Italian chandelier, which once hung from the
trees on an Italian estate, serves as the focal point of the dining room, which
is just off the foyer.
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The overall goal for the addition on the back of the Smiths’ home was to create a sociable space that included both the kitchen and family
room areas in one large room. Pursley created one large, stainless steel-top
island, which the Smiths use for family dinners, buffet dining while
entertaining, and completing the kids’ homework.
Pursley also reconfigured the existing kitchen space to accommodate a new
laundry room, butler’s pantry, and mudroom, pictured.
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During the year-long renovation, which included creating a basement playroom for
the kids below the new 696-square-foot garden room, Pursley also reconfigured
the existing kitchen space to accommodate a new laundry room, butler’s pantry, and mudroom. He converted the attic space into a bedroom for the
Smiths’ oldest son, Calvert. Finishing touches included an additional bathroom on the
second floor and the reworking of several dormers to match the new addition and
provide ample light.
In the kitchen, the Smiths requested a large concrete island, which they could
utilize for kitchen prep as well as practical uses such as schoolwork. “My little one will sit and do her homework here while I’m cooking,” says Dorothy. The cabinets around the DCS range are stainless steel as are the
countertops. “We found they were the most functional in our old home,” adds Dorothy.
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But the key to the kitchen’s design was to treat it like a beautiful room rather than a utilitarian space. “So often a kitchen is pragmatic to the point of misery,” says Pursley. “If it’s not a space you love being in, no work triangle in the world is going to fix
that.” To achieve this, Pursley addressed the issues of storage in ways that wouldn’t detract from the overall vision of the room. Each refrigerator has an adjacent
stainless steel pull-out pantry that allows the Smiths to access the shelving.
There’s also a walk-in pantry adjacent to the kitchen that has a desk area and
additional floor-to-ceiling storage. That room can easily be closed off with a
pocket door to eliminate additional clutter.
To add the finishing interior design touch, the Smiths worked with Teri Thomas
of Teri Thomas Interiors to achieve a modern look in a traditional home.
Dorothy admired British interior designer Kelly Hoppen’s home, a clean yet modern space with punches of color. “It has a sense of tradition but a modern inspiration,” says Dorothy. “I wanted this room clean, not fussy, and I wanted it warm and livable.”
The result is pure bliss for the family who often entertains as well as gathers
and relaxes in the new garden room addition. “I think Dorothy and Harold have taken a frumpy old box and imbued it with joy
and happiness,” says Pursley. “What once seemed foreign now fits like a well-styled glove.”
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By design, the sitting room is the antithesis of the other downstairs rooms of
the home. The space, though small, couples as a home office as well as a cozy
TV room for the family. A large dandelion pendant light provides a splash of
modernity in the otherwise traditional space.
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Harold and Dorothy Smith had outgrown their Charlotte, North Carolina, home.
With three children—then ages twelve, eight, and six—they needed not only more bedrooms, but they also wanted a larger family room
and kitchen. So they searched the Southern city for the perfect home, which
they found in an Italianate home in the heart of Myers Park, one of Charlotte’s most popular neighborhoods.
“We saw it and loved it immediately for the light and space,” says Dorothy. The couple put in an offer only to have it declined by the
sellers. So they continued looking but found themselves coming back to the same
home time and again. Some time passed and they put in another bid.
Declined again. Determined to make the house their new home, the Smiths put in one final offer. “The third time was a charm,” laughs Dorothy. |
While the home situated on a corner lot was, in fact, perfect for the family in
terms of space, it didn’t offer the large living area and kitchen that the Smiths so desperately wanted.
And although the home had been owned by several architects over the years, the
kitchen, which was renovated in the 1980s, was functional yet outdated.
The Smiths enlisted architect Ken Pursley of Pursley Architecture to help
achieve their dream space. “I love the dialogue between old and new,” says Pursley, who was assisted by his associate, architect Jim Owen. “So often when I visit an older home, there has been a poorly conceived
renovation and the first thing that needs to happen is to undo it. We went to
great lengths to make sure the addition was in keeping with the integrity and
language of the original home, yet still provided all the light and flow the
Smiths desired.”
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